Every choreographer, company, and work on Ballet Modern tagged Neoclassical Fusion. Browse all tags →
Restless, sneaker-clad energy inside a neoclassical frame
A former New York City Ballet corps dancer turned resident choreographer, known for propulsive, contemporary-inflected neoclassicism and crossover work on Broadway and film.
Musicality, wit, and the recovered grammar of 19th-century ballet
A former Bolshoi Ballet director whose new works and painstaking historical reconstructions have made him one of the most performed choreographers in ballet today.
Postmodern rigor and social-dance swagger, folded into classical technique
The postmodern-trained choreographer who proved ballet-trained bodies could dance social dance, boxing, and pedestrian movement without losing their classical footing.
Neoclassical fluency in service of full-length storytelling
A former Royal Ballet and New York City Ballet dancer whose neoclassical fluency has produced acclaimed narrative ballets and Tony-winning Broadway work.
San Francisco's abstraction of the classical line
A San Francisco company that keeps ballet's pointe work and extension while stripping away its narrative conventions entirely.
Philadelphia's commission-only home for new choreographic voices
A Philadelphia company built on one strict rule: every work in its repertory is a new commission, never a revival of existing choreography.
Christopher Wheeldon, 2011 - Wonderland reimagined as a three-act spectacle
Christopher Wheeldon's three-act spectacle turns Lewis Carroll's Wonderland into one of the most widely restaged full-length ballets of its era.
William Forsythe, 2016 - deconstruction, resolved into song
William Forsythe returns to melodic, pointe-driven ballet vocabulary, setting songs by musician James Blake for the Paris Opera Ballet.
Twyla Tharp, 1986 - stompers and bombers colliding in fog and stripes
Twyla Tharp's most performed work sets sneaker-clad 'stompers' against pointe-shoe 'bombers' in drifting fog, a commissioned Philip Glass score, and Norma Kamali's black-and-white stripes.
Alexei Ratmansky, 2014 - a gallery walk translated into steps
Alexei Ratmansky's abstract, wittily musical response to Mussorgsky's Pictures at an Exhibition, made for New York City Ballet.
Alexei Ratmansky, 2017 - a candy-colored fever dream for American Ballet Theatre
A fantastical, candy-colored full-length ballet for American Ballet Theatre, built from Richard Strauss's score and artist Mark Ryden's surreal designs.
Wayne McGregor, 2015 - three novels, one dancer's return to the stage
Wayne McGregor's three-act meditation on Virginia Woolf's novels and life, made with Alessandra Ferri's return to The Royal Ballet.
This site uses cookies for basic operation and, where enabled, to serve advertising through services like Google AdSense. See our Privacy Policy for details.
